Post Production

Editorial, color, dailies, finishing, delivery, and handoff workflows for post teams.

DeliveryAug 14, 2026

Guide to Closed Caption and Subtitle File Delivery

Learn how to deliver SRT, SCC, STL, and TTML caption files that match platform specs, stay in sync with the final master, and pass picture-based delivery QC.

8 min

VFX HandoffAug 12, 2026

VFX Plate Naming Conventions for Shot and Frame Delivery

Learn how to name VFX plates, shots, versions, and frame sequences so editorial, vendors, finishing, and tracking systems avoid collisions and bad conforms.

8 min

DeliveryAug 11, 2026

Guide to Broadcast Safe Levels and SDR Legalization

Learn how SDR broadcast safe levels work, how hard clipping differs from soft roll-off, and how to configure Resolve legalization for cleaner QC-ready delivery.

9 min

DailiesAug 10, 2026

How to Set Up Color-Managed Dailies That Match the On-Set Look

Learn how to build color-managed dailies that match the DP's on-set look by aligning camera inputs, LUTs, CDLs, display targets, and metadata from set through editorial.

9 min

DailiesAug 9, 2026

How to Automate Dailies Delivery with Watchfolders and Presets

Learn how to automate dailies delivery with watchfolders, presets, stable file detection, output routing, error handling, and logs for editorial and review.

10 min

DeliveryAug 7, 2026

How to Configure IMF Delivery Packages in DaVinci Resolve

Learn how to set up IMF delivery packages in DaVinci Resolve, including CPLs, audio buses, subtitles, supplemental versions, and Netflix or studio validation.

9 min

EditingAug 5, 2026

How to Build String-Outs and Selects for Documentary Editing

Learn how to organize documentary interviews and b-roll into string-outs, selects, themed timelines, and rough cuts so teams find story moments faster and protect source context.

10 min

Media ManagementJul 30, 2026

How to Verify Media Offloads with Checksum Tools

Learn how to checksum-verify media offloads against source cards, choose xxHash, MD5, or SHA1, script comparisons, and log results for reliable production records.

13 min

ColoringJun 29, 2026

How to Set Up ACES in DaVinci Resolve for Multi-Camera Projects

Learn how to configure ACES in DaVinci Resolve for mixed-camera grades, assign correct IDTs, choose the right ODT, and handle unsupported or baked sources.

13 min

EditingJun 29, 2026

How to Set Up Auto-Save and Version Control for Editing Projects

Learn how to set auto-save intervals, choose safe backup locations, name dated project versions, and recover corrupted edits in Premiere Pro, Resolve, and Media Composer.