Latest Posts

Guides on camera workflows, post-production, codec decisions, technical infrastructure, product comparisons, and the toolkit behind serious media operations.

How to Configure Sony MLUT Outputs for On-Set Monitoring

9 min

SonyAug 19, 2026

How to Configure Sony MLUT Outputs for On-Set Monitoring

Configure Sony MLUTs so SDI, HDMI, proxy, and streaming feeds show the right look while main recordings stay clean, monitors match, and LUT versions stay controlled.

How to Set Up an Output Card, LUT Box, and Reference Display

10 min

MonitoringAug 19, 2026

How to Set Up an Output Card, LUT Box, and Reference Display

Learn how to choose a Blackmagic or AJA output card, route SDI through a LUT box, and configure levels, color transforms, and monitor modes for reliable reference viewing.

11 min

Remote WorkAug 19, 2026

Aspect for Remote Video Editing

Learn how Aspect helps remote post teams edit from one shared filespace with streamed mounts, right-sized caches, offline pinning, and shared office cache options.

How to Manage Mixed Frame Rates and Resolutions in NLE Timelines

9 min

EditingAug 18, 2026

How to Manage Mixed Frame Rates and Resolutions in NLE Timelines

Learn how to set NLE timelines for mixed frame rates and resolutions, control scaling and conversion, avoid pulldown or blending issues, and render clean deliverables.

Cloud vs On-Prem Media Workflows: When to Move Footage

10 min

Cloud and HybridAug 18, 2026

Cloud vs On-Prem Media Workflows: When to Move Footage

Decide when to keep media on-prem, move it to cloud, or split the workflow, with guidance on timing, data volume, cost modeling, verification, and hybrid handoffs.

Canon Log 2 vs Canon Log 3: Which Curve to Choose

9 min

CanonAug 17, 2026

Canon Log 2 vs Canon Log 3: Which Curve to Choose

Decide when to shoot Canon Log 2 or Log 3, with guidance on dynamic range, noise, camera support, Resolve color management, LUTs, and grading tradeoffs.

How to Configure Canon XF-AVC for Broadcast Delivery

9 min

CanonAug 17, 2026

How to Configure Canon XF-AVC for Broadcast Delivery

Learn how to choose Canon XF-AVC codec and bitrate settings, ingest media in Premiere or Resolve, preserve metadata, and avoid broadcast QC delivery issues.

Guide to Folder Structures for Multi-Season TV Shows

7 min

Media ManagementAug 17, 2026

Guide to Folder Structures for Multi-Season TV Shows

Learn how to build a scalable TV folder structure across seasons and episodes, with clear naming, shared assets, delivery folders, backups, and exceptions for pickups or reshoots.

How to Batch Transcode R3D to ProRes or DNx

10 min

RawAug 16, 2026

How to Batch Transcode R3D to ProRes or DNx

Learn how to batch transcode R3D to ProRes or DNx while choosing the right codec, preserving metadata, avoiding color mistakes, and verifying outputs before archiving.

ProRes vs ProRes RAW: Which Camera Workflow to Use

9 min

ProResAug 16, 2026

ProRes vs ProRes RAW: Which Camera Workflow to Use

Decide when to shoot ProRes or ProRes RAW by weighing camera support, RAW latitude, NLE compatibility, storage, playback performance, and finishing needs.

8 min

Aspect IntegrationsAug 16, 2026

Aspect + Avid Media Composer

Use Aspect as a shared Media Composer media volume, keep relinks and conforms predictable, and hand off to finishing without duplicate media or broken folder paths.

Guide to Closed Caption and Subtitle File Delivery

10 min

DeliveryAug 14, 2026

Guide to Closed Caption and Subtitle File Delivery

Learn how to deliver SRT, SCC, STL, and TTML caption files that match platform specs, stay in sync with the final master, and pass picture-based delivery QC.