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Practical notes on production, post, codecs, infrastructure, and the future of media workflows.

LatestCamera WorkflowsPost ProductionTechnical SolutionsCodec WorkflowsProduct ComparisonsToolkit GuidesAspect WorkflowsSwitching Guides

Codec Workflows

Practical codec guidance for ProRes, DNxHR, H.265, EXR, DPX, MXF, and raw media.

LatestCamera WorkflowsPost ProductionTechnical SolutionsCodec WorkflowsProduct ComparisonsToolkit GuidesAspect WorkflowsSwitching Guides
Current sort: Newest to oldest
Guide to DNxHR Quality Tiers: LB, SQ, HQ, HQX, and 444
9 min
DNxHR/DNxHDAug 4, 2026

Guide to DNxHR Quality Tiers: LB, SQ, HQ, HQX, and 444

Learn how to choose DNxHR LB, SQ, HQ, HQX, or 444 for offline, online, VFX, and archive workflows without wasting storage or under-specifying your mezzanine.

When to Transcode Long-GOP H.264 and H.265 for Editing
9 min
H.265/H.264Aug 1, 2026

When to Transcode Long-GOP H.264 and H.265 for Editing

Learn when to edit H.264/H.265 natively, make proxies, or transcode to ProRes/DNxHR so real timelines scrub, play, sync, color, and hand off smoothly.

How to Use DNxHR and DNxHD in Resolve and Premiere
15 min
DNxHR/DNxHDJun 27, 2026

How to Use DNxHR and DNxHD in Resolve and Premiere

Learn how to use DNxHD and DNxHR in Resolve and Premiere, choose MOV, MXF OP1a, or OP-Atom, avoid relink issues, and pick the right codec flavor for stable handoffs.

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